Armed with insatiable artistic curiosity, a true performer’s instincts and the advantages of a rigorous central European training, George Jackson has earned critical acclaim for the authority and eloquence of his music-making. The British conductor’s career continues to gather momentum, propelled by landmark debuts with leading orchestras and opera companies and fuelled by his power to communicate compelling musical ideas.

Jackson’s interpretation of Hänsel und Gretel for Grange Park Opera, given with the Orchestra of English National Opera in summer 2019, was showered with five-star reviews and hailed as ‘magnificent’ by the Telegraph. His 2019-20 season includes returns to work with Ensemble Intercontemporain at the Philharmonie Luxembourg and Cité de la musique in Paris, and the orchestras of Opera North and Opéra de Rouen. He is also set to conduct a retrospective of music by Irish composers, comprising works by Brian Boydell, Ina Boyle and Stanford, with the RTÉ National Symphony Orchestra in Dublin and the world premiere of Tscho Theissing’s Genia at Theater an der Wien, a major contribution to Beethoven Year 2020.
News of the conductor’s calm assurance and dynamic musicianship spread worldwide in April 2018 when he replaced Daniel Harding at short notice in Ives’s Fourth Symphony with the Orchestre de Paris at the Philharmonie de Paris. He also conducted Les Arts Florissants and Ensemble Intercontemporain during the same concert. The range of Jackson’s work is reflected in other recent engagements, embracing everything from debut performances with Hamburg State Opera, the London Symphony Orchestra, the ORF Vienna Radio Symphony Orchestra, Kammeroper Frankfurt and the Nordwestdeutsche Philharmonie to new productions with his Vienna-based Speculum Musicae Opera Company and The Magic Flute for Opera North.